Writing Online and Audio Stories cover

180 pages · 2023

Catalog title1st Edition

Writing Online and Audio Stories

Crafting Nonfiction for Websites, Podcasts, and Social Media

By Anna Faherty

Published
December 22, 2023
Imprint
Routledge
Edition
1st Edition
ISBN
9781003363347

Overview

About this book

Guiding readers through the unique challenges and choices presented by digital publication, this book provides a practical set of tools to help students, creatives, and content professionals craft emotionally engaging nonfiction stories for online readers and listeners.

From considering what story to tell, to bringing narratives to life in practice, Anna Faherty explains what gives stories their unique power and demonstrates how to successfully combine techniques from short-stories and screenwriting with journalistic practices like fact checking and verification. Examples from corporate websites, personal blogs, podcasts, and social media set out how to attract and involve readers and listeners, and how to prompt them to take action. Readers will come away with a straightforward framework for planning and crafting storytelling projects and an understanding of text and script development, copyright, and editing. Each chapter includes summaries of key principles and practical writing tips, while case studies share insights from writers’ professional practices – including those who use storytelling to influence customers or advocate for change.

Writing Online and Audio Stories is a valuable entry-point for creative writers, podcasters, and professionals in PR and marketing, as well as students undertaking courses such as Digital Writing, Creative Nonfiction and Multimedia Storytelling.

Subjects

Arts, Communication Studies, Economics, Finance, Business & Industry, Humanities, Language & Literature

Inside the book

Table of contents

Select a chapter to read its abstract.

Part IUnderstanding audiences and stories

Pages: 58

No chapter abstract available.

Chapter 21Understanding online readers and listeners

Pages: 17

This chapter highlights the value that writers gain when they take time to understand their audiences. Large-scale research into the needs, wants, and behaviours of online readers and listeners – including research conducted by the BBC and FT – is shared, before strategies for conducting smaller research projects are introduced. The role of empathy is emphasised, and guidance for empathy-based tools for gathering, analysing and communicating user research is provided, including empathy mapping and user stories.

Chapter 2How we respond to stories

Pages: 19

This chapter introduces the concept of the Story Funnel, a theoretical model that illustrates how stories impact readers and listeners. By splitting the reading or listening experience into five stages, the model demonstrates why stories are so powerful, while highlighting what writers must do to keep audiences involved. Each of the stages (attract, involve, transport, transform, and act) are explored in depth, giving consideration to the specific reasons why readers and listeners leave a story at each stage. Relevant research studies are used to demonstrate the impact of storytelling in comparison with sharing descriptive information or statistics.

Chapter 3Six essential story ingredients

Pages: 20

This chapter identifies six ingredients that may be used to build any story and identifies how each moves readers or listeners through the Story Funnel. The ingredients are a person, a challenge, a setting, details, a sequence of events, and a resolution. Each ingredient is illustrated in practice via examples of online storytelling. The chapter ends with a discussion of the role of artificial intelligence (AI) writing programs, before concluding that writers should be valued for their empathy, knowledge of the world, and awareness of how to connect with readers and listeners.

Part IIDeveloping online and audio stories

Pages: 102

No chapter abstract available.

Chapter 604Storytelling with purpose

Pages: 18

This chapter supports writers as they identify and develop their brand values and their writing purpose. Through practical exercises, writers consider what matters to them and what they want to achieve by writing online stories. The power of sharing a personal story is highlighted, particularly in terms of advocating for change, and real-life stories are analysed through the lens of public narrative. The vital question of story ownership is raised, focusing on the context of charity fundraising. Organisations shifting their storytelling focus are identified, while research demonstrates the impact of changing the story.

Chapter 5Constructing your story

Pages: 18

This chapter highlights the importance of developing a bridge between readers and listeners and the world in which they will be immersed. Strategies for developing this story angle are demonstrated in practice, along with tips for sense-checking the result. The three-act story structure is introduced, while reasons for breaking chronology are discussed. Methods for building suspense, settling on a story structure, and producing a story outline are shared, using an exemplar that shows how to create an outline for a historical story.

Chapter 6Telling your story

Pages: 23

This chapter demonstrates how to choose and arrange words in order to write an online story that attracts readers and listeners, connects with them, and involves and transports them into the narrative. It highlights the value of inclusive writing, sharing professional guidance on inclusive word choices, and considers practical strategies for keeping readers and listeners within a story. Examples of effective opening and closing lines are shared, and an extended discussion debates the familiar “show don't tell” writing guidance.

Chapter 7Writing for listeners

Pages: 19

This chapter analyses and discusses the distinctive nature of writing for listeners. It incorporates examples from a variety of successful podcasts, while drawing on the expertise of radio writers. The most common types of podcast opening are categorised, and illustrated with examples. The importance of a slow pace, maintaining listeners’ interest, and signposting are all highlighted. The effective use of pre-recorded audio (or tape) alongside narration is explored and demonstrated.

Chapter 8Reviewing, editing, and publishing your story

Pages: 22

This chapter identifies the myriad processes involved in revising and editing an online or audio story in preparation for publication. Practical checklists are provided throughout, along with professional guidance on revising drafts, fact checking, and clearing copyright. The importance of selecting a title that performs well with search engines is emphasised, along with the value in advocating for your reader or listener. The writer's duty of care to themselves, their subjects and their sources is highlighted and ethical guidelines are shared.